Course  Speech  Tour in Taipei



On November 23, 2011, producer Jimmy Huang returned to his school to share his journey of filmmaking—joy and pain. We usually only see the glamorous side of movie, and do not know the efforts. It was a very valuable lesson.

     

Background
Huang saw a lot of movies when he studied in Tunghai University, but he did not have access to movies, unlike today like PPS and download.
He rent a place near school, and often played films for discussion, and he was really looking for an opportunity in this field.
The chance came when he worked in the Golden Horse film exhibition. Later, he worked in Influence magazine. He spent five years in the Central Pictures and knew directors, like Ming-liang Tsai, Ang Lee, Xiao-Li Wang, and Zhi-yan Yi. Huang’s expertise in English became useful when promoting films abroad.

On the road of dream
Huang had no teacher, and no one told him to go down this road. He said, "I just love this work and believe I have the ability. I think the movie is a dream, but it takes practice and determination."

Discerning eyes can tell greatness from mediocrity
Huang met Director Wei in 2000, and found Wei is very good at storyboard, which is to draw scenes of the script with the camera angles. Huang was very impressed, because Wei always quickly completed work.
Wei wanted to be a director, so started fundraising with Huang, and borrowed money from Cathay Life. He even lied to director Cheng-Ze Niu and borrowed 5,000 dollars. Huang said Wei lived very hard before “Cape No. 7", and told us to read "a director's diary," which describes how Wei got past these years.

Owed lunch fee of 170 thousand dollars
Huang said the Government Information Office subsidized 7.50 million in the film "Cape." Wei insisted on the budget of 30 million, and they still had a gap of 10 million. Wei said, "Let’s take this chance to fight, or I’ll leave this industry!" Huang was persuaded.

Wei owed lunch fee of 170 thousand dollars to a very poor old couple in Kenting. Huang said he had never owed someone so much in his entire life.

Spent money like running water
Huang loaned 10 million from a bank, but the bank was reluctance to give money. They complained, "7.50 million of the Government Information Office was like water spilled on the rood. Fortunately, a man helped us with 7.5 million." "Cape" was finally completed.

The greatest satisfaction in life was to see crowds going watching Cape
"Cape No. 7" post-production work and marketing were not good, so the box office on the first day was only over 600 thousand, and the first month was over 10 million.... Huang did not tell Wei, but then it began to grow and got 30 million in just two days.
Huang said that the greatest satisfaction in life was to see crowds going watching Cape. The result is pretty good.
Only 3-4 out of 10 movies make profits. Even if you know how to please the audience and there are a lot of good ideas in the story, it may fail because of one problem.

Jay Chou was attracted to movie
Huang mentioned Jay Chou. Why does he want to become a director? Because the movie has a very special charm and the artistic nature. It creates something new and has great influence.
This is also why a lot of advertising directors want to be directors of movies.
When Jay shot "The Secret", he also held a concert in China, because the CD market was not very good. During shooting, he slept in the company when coming back from the mainland, and did not go home.
When he wanted to become a successful singer and a director, he had to pay a high price, and usually worked about 16-18 hours a day. The workload was quite large.
Jay had to discuss the screenplay with Huang, produce, and record music with singers. Jay also acted in the movie. Every day Jay probably got up at three. Although he is always fabulous on stage, but in fact he worked hard.

Film is Huang’s everyday life
Film Festival is the movie stage. People have fantasy for this industry; for example: Huang deals with stars ... but in fact these are his work. He works all the time, and during meals.
Huang faces a lot of pressure when seeking perfection.
Maybe a good movie makes a lot of revenue, but he is nobody until he succeeds.
Behind the movie dream, people paid a considerable price, such directors Yueh-Hsun Tsai and Cheng Ze Niu. Director Wei Te-sheng is a perfect example.

Help the dreamers
Wei put all the money he earned from Cape on "Seediq Bale," which spent 600 million NT dollars and ten months in Taiwan's mountains. It is a story of the Wushe Incident, and the most important is to honor Mona Rudao. Huang said to Wei, “You have earned 100 million, but before you realize, you owed more than 200 million."
One day, Huang, Wei, and with "Red Cliff" director John Woo were watching the first version of "Seediq Bale.” Huang cried three times. Huang said he has no dream, but he likes to help those dreamers.

“Call me after banking hours!”
He spent six months preparing "Seediq Bale" since October 27th, the date movie started shooting, and also the date of the Wushe Incident. Huang borrowed money from that day. He often told friends: "Call me after banking hours!" Because he tried to borrow more money every day, and was busy at backstage works from scenes, lunchbox, and so on.

When they were scouting, they almost fell on the edge of cliffs and the waterfall several times. In the 5-minute trailer, almost a thousand actors were fighting.

Want to have screenwriters as friends for good stories
Huang said a screenwriter’s job is very different from the producer, but a producer loves to make friends with screenwriters, because they can help half of the work. It is not easy to find a good story. The screenwriter is a very important key, which decides half the fate of the film.

“Silk,” a creative ghost story
Huang mentioned a thriller--Silk, which spent NT $200 million. The cost of the actors, special effect and advertisement on MRT also spent nearly two million. This is Huang’s favorite movie, because of its creativity. Different from many thrillers, the movie defines a ghost as the evil energy. It appears in the day time, and less frightening. It is a story of love and family, and the question of life and death.

A fighter with high anti-pressure
Huang said finding actors is hard. If his last movie does not earn profit, it will be harder to find investors next time. Movie is a really very expensive career. He said to himself, "endure hardship in a good way.” "I need to be high anti-pressure."