¡u Kuai-Ban-Shu ¡v() is also called ¡u Zhu-Ban-Kuai-Shu ¡v . It is one of speak and sing art forms in the Northern China and is developed on the basis of rhythmic storytelling to clapper accompaniment.
Around the end of the Qing Dynasty and the beginning of the Republic of China, in the regions of Peking and Tianjin, originally after the rhythmic storytelling to clapper accompaniment performed in the streets, after entering into the small-sized recreation place, some performers use the rhythmic storytelling to clapper accompaniment of ¡usee the scenery and emerge feeling, impromptu edit speech¡v , then transform into the performance of speak and sing accompanied with hitting the bamboo clappers.
At that time, artist Mr. Lee, Run Jie who was good at rhythmic storytelling to clapper accompaniment, storytelling and comic dialogue, drew on the experience of related arts, such as ¡uShandong Kuai-Shu ¡v , comic dialogue, West River Big Drum, and absorbed a sudden break in a story of storytelling and portray of figures; and break through the ways of sentences, rhythm, in rhyme of rhythmic storytelling to clappers accompaniment; storytelling is strong, figures of speech is popular, the rhyme is continuous to the end, the form of sentences vary a lot, for example, buttress, sentence, pile up sentences etc., assorts in sing in a performance; once in a while, match with long sentences and short sentences, play in lively and fluent rhythm, and form a new type of verse for singing, be particular about ¡upeople, affair, power, interest¡v , was called ¡uKuai-Ban-Shu¡v . Owing to singing in a performance, it needs to beat flapper in rhythm constantly, and when you sing, the rhythm will be quicker and quicker, so it was called ¡uZhu- Ban-Kuai-Shu ¡v in Taiwan.
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